shrekahnth sustainable fashion brand logo
Shrekahnth sustainable fashion brand label

A Collection of Press Articles from Dubai Fashion Week. Reviews by Magazine Publications in Arabic and English.

Shrekahnth Muscat Fashion Week collection Review on the cover of L'Officiel Arabic Magazine.
Shrekahnth Muscat Fashion Week collection Review in L'Officiel Arabic Magazine.
Shrekahnth Muscat Fashion Week collection Review in L'Officiel Arabic Magazine.
Shrekahnth Muscat Fashion Week collection Review in L'Officiel Arabic Magazine.
Shrekahnth Muscat Fashion Week collection Review in L'Officiel Arabic Magazine.

L'Officiel

Shrekahnth Dubai Fashion Weeks Collection review on the cover of Bespoke magazine of Saudi Arabia.
Shrekahnth Dubai-based Indian Beginning with his eponymous debut in spring/summer 2010, Dubai- based fashion designer and print-maker, Shrekahnth triggered a new wave of digital artwork into the Middle Eastern fashion scene. From collections based on the architecture of Dubai to the travels of 14" century Moroccan Muslim scholar and traveller, Ibn Battuta, Shrekahnth’s work turns a traditional aesthetic on its head, via the neo-contemporary medium of hyper-real prints. His references may be many, but it is his unparalleled ability to utilise special cuts in order to flatter the female figure that has made him quite successful with the Arab, or pro-Arab clientele, earning him the title of “The Kaftan King”. His references to Islamic art beautifully translate into fashion-forward prét-a-porter. Bespoke

Bespoke

Shrekahnth Dubai Fashion weeks collection review on arab news Life & Style magazine from Saudi Arabia.
TALENT OUT of Dutai as invaded the Arab fashion world with his pat- termed creations and contemporary cuts Shrekahnth i the Indan-born fashion designer and. printmaker who is triumphartly comerting fashionistas worldwide. Shrekafith's latest collection debuted af Dubai Fashion Week to an accepting audience that applauded his uniqueness, The dresses were praised over the bright pattems he created that, despite having a traditional story betel the, were rode, Inspired by journey of Ibn Baituta, Shreka- hth's new line is as rich as the cultures and artworks encountered by the Moroccan Musim scholar and traveler *The travels of Ibn Batiuta includes a world of adventures," he said. It was very inspiring to learn about and see how these countries looked in the 14th century from a Arab traveler's point of view" Jon Battuta's travels spanned almost the entre- 1y of the Islamic world and beyond, exerding to Eastern Europe and Southeast Asia. Shrekahnth collection took from al these faraway lands, from a Jartbiya pattern cocktail dress 10 a Kanagawa- print dress by Japanese artist Hokusai The Strekahnth woman is a determined and adventurous freethinker: Through her choice in fashion, shes rot afraid to explore the farends of Her persoraliy to reveal her inner voyage. She's the woman Who caught your &ye this summer in the Meatpacking District of New York wearing that Salamander dress, She's the hostess of that ftar whose Kaftan was the tak of the night, Her edgi- ess makes her the center of attention ard her fashion makes sure she never leaies f Strekahnth has mastered the modernization of an ethnic aesthetic, not only through the me- dium of hyper-eal photo-realistic prints but also through his manipulation of these prints. He has created a fusion of foreign subjects and contem- porary Islamic art that transiates into fashion- forward prét-4-porter “My research is my strength,” he said. *1 love to study art history, refigion and cures, | trans late them into a very simplified, rroder Interpre- tation — or hiow | see fashion today * Shrekahnth has successfully manipulated an- other archetype: Acut that suits the modern Arab woman, accentuating the natural sihovette and curves of er bad “Geometry and structure are always present in my work," said Strekahnth. lt can be either a crystallized pyramid or plece of Islamic art, but | create structures with these geometric shapes.” He prefers implementing the most basic of shapes — squares, rectangles and triangles — and using them to produce elaborate prints that double as season must-haves. | mix the patterns in order to achieve a garment that is tailored to thie Arab woman, he pointed out, In this way, his designs are further modernized with their simplistic yet progressive bias cuts —a clear tribute to "the architect among dressmak- ers," Madeleine Viomet. Her bias cut patterns swept over the 1930's fashion scene In Paris and til has an Influence that is clearly visible among today's designers, such as Halston, Azzedine Lp Aaja and Marchesa. Cristobal Balenciaga — whom Stirekahnth described as his "guru* — would be proud to see such a clean aesthetic. These modern cuts broaden the shoulders and create a sexy silhouette that doubles as a canvas for Shrekahnth's digital artwork. Shrekahnth is not only a talented designer; fe:is also on a mission, *| love crafts," he said, "Cras have a very strong history and herftage. Born and brought up in India | have seen many crafts dying." As artisans move: into the cities, they leave their dying art with their rural origins. "Lie the keffiyah, woven in Palestine, it's already almost dead. They couldn't mest the demand and conditions to upgrade and be- come industrialized,” said the designer. “In the future, | would fove to modernize these textiles, whether its Indonesian ikats, crochet from In- dia, or vintage Bedouin textiles from Ramallah, 1: would mi therm with modern elements for high- end fashion, After all, R's my responsibilty as a designer” Lucky for us, he's saving women from the dreaded critique of having a monotonous ward- robe, Bok, graphic, and young, Shrekahth is bringing art from the corners of Persia, Egypt, India, China and Africa all the way to the adventur- ous trendsetter And like his international inspira- tions, Shrekahth is going global — conquering the world of fashion, one woman at a time: Looking for the perfect conversation piece or the Ramadan thobe of the season? Visit www.shrekahnth.com to find your nearest boutique of cultured fashion!

Arab News

Shrekahnth Dubai Fashion Week Collection Review on the cover of Madame Figaro Arabic Magzine.
Shrekahnth Dubai Fashion Week Collection Review in Madame Figaro Arabic Magzine.
Shrekahnth Dubai Fashion Week Collection Review in Madame Figaro Arabic Magzine.

Madame Figaro

Shrekahnth Dubai Fashion week and Muscat fashion Week collections were Reviewed in Pashion Magazine from Egypt.
Shrekahnth Dubai Fashion week and Muscat fashion Week collections were Reviewed in Pashion Magazine from Egypt.
Shrekahnth Dubai Fashion week and Muscat fashion Week collections were Reviewed in Pashion Magazine from Egypt.
Shrekahnth Dubai Fashion week and Muscat fashion Week collections were Reviewed in Pashion Magazine from Egypt.
Luxury resort wear kaftan of Shrekahnth from Dubai Fashion week and Muscat fashion Week collections were Reviewed in Pashion Magazine from Egypt.
Shrekahnth Dubai Fashion week and Muscat fashion Week collections were Reviewed in Pashion Magazine from Egypt.

Pashion

Times Emirates Magazine, a part of the new york times, reviewed the Shrekahnth collection.

Times Emirates

Shrekahnth Shrekahnth's collection, inspired by Filippo Marinetti's interpretation of futurism, was one of the most innovative collections to be presented at DFW. As the soundtrack of Stanley Kubrick's masterpiece, 2001: A Space Odyssey, appropriately set the mood, Shrekahnth presented a cohesive 24-piece callection of mod silhouettes and futuristic cuts, induding jumpsuits with astronomical patterns followed by structured Jong dresses in satin and Habotal (China silk). The show closed with eight designs covered in “movable prints” made possible with a painstaking technique in which the designer manipulated 3D prints anto the two-dimensional canvas of silk. The audience was requested by a robotic male voice to wear their 3D glasses as creations came out with abstract headpieces designed in collaboration with the milliner, Nazgul Nejmi, Shrekahnth's main feat was his ability to make these prints work both with and without the glasses.

Arab News

shrekahnth collection review of Dubai fashion week in Magazine from Kuwait
shrekahnth collection review of Dubai fashion week in Magazine from Kuwait
shrekahnth collection review of Dubai fashion week in Magazine from Kuwait

Osarati

DAY 3, SHOW 2 Shrekahnth Having launched his first collection at DFW 2010, Shrekanth returned with his futuristic 3D-themed 2011 Fall/Winter line. Flowing outfits were accompanied by elaborate head-dresses influenced by planetary symbols. With digital prints ranging from the natural to abstract images of space, the outfits utilised muted winter shades with dashes of colourin the form of geometric patterns. Inspired by Filippo Marinetti’s ideas on futurism, the 24-piece collection presented straight silhouettes and futuristic cuts. Known for his signature digital printing and his meticulously researched designs, Shrekahnth's outfits once again used minimal embellishments and allowed the prints to hold on their own. Models sashayed to the soundtrack of Stanley Kubrick's masterpiece, ‘2001: A Space Odyssey; as the Shrekhanth logo glowed in 3-D in the background. The audience was asked to wear supplied 3D glasses,as outfits with fluid patterns created the illusion of movement on stil fabric. Shrekanth announced plans to start an accessories label, ‘Medusa, which will comprise handmade creations from Germany.

Hi! Blitz

Shrekahnth Dubai Fashion Week Collection Review published in Metro life of Khaleej Times News paper from Dubai, UAE

7DAYS -Metro Life

shrekahnth collection review of Dubai fashion week in Hala Magazine

Ya Hala

THE LOWDOWN Shrekahnth only launched his debut collection at Dubai Fashion Week in 2010, but his fabulous digital print designs fast became a favourite with the city’s fashion editors. A graduate of India’s National Institute of Fashion Technology, Shrekahnth’s modernisation of traditional ethnic aesthetics, using hyper-real prints and their manipulation, are seriously fashion- forward prét-a-porter. | Inspired by bold Islamic | | art and local architecture - and experimenting with geometry and structural forms - this tiber-talented designer is destined for great things. THE INSPIRATION The DNA helix, neurons and the artwork of ancient civilisations. THE LOOK Inspired by the movements and concepts related to ideas of transmutation of species and of evolution of civilisations, this awesome collection of digital printed pieces are a must for the modern girl's wardrobe. And Shrekahnth is being tipped as the Middle East’s answer to digital design maven, Mary Katrantzou.

Masala

Shrekahnth Interview and collection review in Emirates Woman Magazine.

Emirates Woman

Harpers Bazaar Arabia

harpers bazaar arabia editorial coverage
Vogue Italy online collection review shown in Dubai fashion week.
Vogue Italy online collection review shown in Dubai fashion week.
Vogue Italy online collection review shown in Dubai fashion week.
Vogue Italy online collection review shown in Dubai fashion week.
Vogue Italy online collection review shown in Dubai fashion week.
Vogue Italy online collection review shown in Dubai fashion week.

Vogue Italia

Pose

On October 24", the Atlantis Hotel and Resort was invaded with red-soled Louboutins and flashes from overzealous paparazzi. The socialites and fashionistas of Dubai had conquered the ornate tent venue that housed this season's Dubai Fashion Week. Under Capital Marketing, the dream of Dubai Fashion Week lives on. This year saw the departure from the previous season's loyal venue, Emirates Towers, with a good reception. A Mercedes-Benz New York Fashion Week ambiance was in the air for the first time with the Lincoln Center-esque tents and the DFW-stamped walkway. But resembling it's international counterparts is one thing, DFW still has quite a way to go in terms of becoming a credible fashion week that is respected by the international fashion scene. A great platform for emerging talent, DFW is lacking only in regional support. The talent is there. The drive is there. What we need is for the regional fashion scene to work together rather than size up each other's stiletto heights. We need front rows filled with Isabella Blows and Sarah Belhasas types, while the Anna Wintours and bloggers boldly tell the stories of our innate talent and unparallel style. Dubai Fashion Week is good initiative, but it could be a great fashion week. That rant aside, here are the Oscars of Dubai Fashion Week: the good, the bad, and yes, even the ugly. Best Concept: Hands down, this award goes to Shrekahnth. By Shrekahnth Probably one of the most well researched designers out there today, Shrekahnth offers intellectual stimulation in an industry that is often blamed for being model-dumb. His Blackberry Kaftan, inspired by a Blackberry motherboard and embellished with an actual bejeweled one was stunning, as well as a strong commentary on where we are in the world today. His collection was inspired by how texture has evolved from Pre-Islamic art (check out his gorgeous stain-glassed one-shoulder piece) to the modern times of BB messenger. His YSL tribute Kaftan, a reinterpretation of the famous 1965 Mondrian dress, was not only clever, but also a must-have in every fashionista’ closet.
The designer chose a dark and dramatic route to underline his apocalyptic vision. Models in untidy loose braids and swathed in Kaftans with glowing volcanic ember nts erupted onto the catwalk, wil robes imprinted with primitive tribal faces showing the evol civilisations were also shown. Digitised DNA patterns that underline the birth of humans were also woven into'is robes. Though Shrekahnth, stocked at S*uce and United Designers, is known for loose flowing Kaftan, short dresses were a part of his shovicase. “I want to enter the European markets. Apart from the Gulf regions, Tam now selling n Russia and Irland. Iwant them to feel as f my clothes are perfect for lounging around in a beach resort,” said Shrekahnth. Though some of the robes looked overloaded with print patterns, the majority of his 30-piece collection was wearable. But the real statement pleces were the towering shoes that perfectly matched the patterns on the robes.

Gulf News

Masala

Inspired by the travels of 14th- century explorer Ibn Batutta, Shrekahnth’s eye-popping printed pieces made for a dazzling catwalk display. Works of art in themselves, we defy you not to crave at least one of his fab frocks for your summer holiday

Shrekahnth and its logo are Registered and Trademarked, 2007-2029.

Facebook Instagram Twitter Youtube Linkedin Pinterest